I really enjoyed this interview with Lisa Graziose Corrin by Chicago Gallery News, a premier source for art happenings in Chicago. I subscribe to their email list and I’m always eager to read their weekly interviews with museum directors and gallery owners. Lisa Graziose Corrin is currently the Director of the Mary and Leigh Block Museum of Art at Northwestern University, but she was previously the Director of the Williams College Museum of Art (WCMA), which is a place dear to my heart, as I lived in Williamstown for one year and absolutely loved it.
The way she describes her connection to the Met in New York and how it’s like home to her is endearing, and her observation of Monet’s Women in the Garden reminds me why I love art as I do. When we look at art we are forced to examine what we’re looking at while keeping in mind that what we see at first glance is not necessarily the whole picture.
I remember going to the Met and seeing a small study of Monet’s Women in the Garden, which is now in the Musee d’Orsay, and seeing the shadow on the back of a train on a woman’s dress and the hundreds of shades of green and grey that composed this picture. I realized Monet was not painting women’s dresses at all, he was painting the effects of light. It was like a veil had been lifted from my eyes and everything I looked at around me after that changed. I saw how art could be a window onto other ways of perceiving and understanding the world. At that moment I thought “Wow I want to be looking through those windows for the rest of my life.”
This is the passage that particularly stood out to me. I just love her insight into the art world landscape, the future of leadership within the museum field, and the way she responds to work that inspires her.