gooollysandra

Thoughts on thoughts and images of beautiful things

Category Archives: Art

“In Search of the Eclectic”

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I came across this article through Chicago Gallery News because I like to keep up with what’s going on in the art scene in Chicago, and while this piece is more about a private collection than a gallery open to the public, Sally Schwartz‘s collecting, or ahem, hoarding habit, reminds me a little bit of myself. Schwartz runs the Randolph St Market Festival, which is a monthly flea market that features hundreds of local Chicago vendors and artisans. So constantly being around all these treasures is right up her alley.

I’ve also gone antiquing with my parents over the years and have developed an interest in collecting unique, interesting items as I see them, rather than waiting to buy things when I need them. This has resulted in several boxes of random things that I’m storing in my parents’ attic, probably much to their dismay. But I blame them for instilling this love for antiquing in me!

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I enjoyed how the article illustrates Schwartz and her husband bringing their collections together, even though they are so different – hers comprised of older vintage pieces and his of newer modern pieces. I can also identify with the fact that while their children are intrigued by their collections, they claim they’ll get rid of everything one day. I sometimes get frustrated by the sheer volume of things my parents collect and dream about the burden that would be lifted if I got rid of everything; but, on the other hand, there are so many stories tied to the pieces and sentimental value connected to them, that I may end up holding on them 🙂 Just as Schwartz is holding on to her collection in case the kids change their minds. How about these photos of their collection…dreamy!

Photographer William Eggleston

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I studied photographer William Eggleston in a Photography class in graduate school, and this line from the New York Times Style Magazine featuring The Greats, including William Eggleston, resonated with me as I was reminded of his work:

Eggleston’s images can trick you if you’re not careful. You have to look at them, then you have to look again and then keep looking until the reason he took the picture kind of clicks in your chest. 

The aesthetic value of the photograph might not be immediately apparent, but after looking at it, taking your eyes off it, and looking again, the photograph may start to move you in some way; and it may move you in different ways each time you look at it.

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Max Ernst

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I’m not too familiar with artist Max Ernst‘s work, but I recently came across a short article by Curator Robin Reisenfeld published by the Museum of Modern Art in 1997 about his body of work, Fiat Modes. This collection includes his prints and illustrated books. There’s a line at the end of the article that struck me as elusive but terribly provocative – “Ernst wryly comments upon what he believes to be a misguided belief in the infallibility of human progress based upon instruments of reason.” What does this mean? What Reisenfeld is arguing is that Ernst essentially makes fun of this belief that human progress, guided by reason, can’t be wrong. He is driving against the notion that reason is all knowing and all powerful and cautions against placing complete trust in reason to guide human progress. Certainly, the mainstream thought is that reason can and should absolutely guide human progress, but perhaps what Ernst is suggesting is a more fantastical, creative, imaginary, dreamlike approach to progress, as he suggests in his Fiat Modes collection. Perhaps we should all take this method with some seriousness and try it out. There’s nothing wrong with a path that’s a little more fantastical than the one we’re faced with…

Cultural divides

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Over the past several months I’ve been conducting oral history interviews with Latino/a artists for one of my jobs. Some interesting and surprising conflicts have arisen that I definitely wasn’t expecting, and am even a bit bothered by. I consider myself a very open-minded person when it comes a variety of things like race, religion, ethnicity, nationality, etc., but what I’ve learned recently is that sometimes people can view this open-mindedness and willingness to engage with those who are different from us as a negative thing, and even a hostile thing.

To put things more concretely, I was speaking with a young Latina artist in Pilsen, the Latino neighborhood in Chicago, and she was bothered, insulted almost, by the fact that I wanted to explore the neighborhood, meet the locals, and try to have an authentic experience there. She proceeded to tell me that there was no way I could possibly have an authentic experience because I as was not Latina, I did not speak Spanish, and I did not grow up in the neighborhood. She said that the “authentic” experience I was seeking was clouded by any preconceived notions of what I thought her culture was about. She was frustrated that white people were visiting her neighborhood to see it for themselves and then trying to build it up because it was still affordable to do so. She opposed the gentrification process that was and still is happening in Pilsen, particularly in regards to the artist community. The artist community that Pilsen is now known for does not typically include the artists who have been living in Pilsen for decades. She felt as though these artists who have recently been moving into Pilsen are trying to replace the artists who were already there, and then pretending like they own the place. I can completely sympathize with the frustration with this kind of gentrification, but I do not think that someone who wants to explore a neighborhood and a culture with genuine interest should be lumped into the same category.

I countered all of this by arguing that not everyone who visits the neighborhood wants to replace what’s already there or try to change it. Some people are genuinely curious about other cultures, and not only curious but truly eager to learn more, engage with, and try to experience things with the locals. She was still insulted and offended by this proposition, insisting that there’s no way an outsider could have a genuine experience, precisely because he/she was an outsider.

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I left this encounter feeling so frustrated because I felt like she was prejudice against me, while I was not at all prejudice towards her. I was left feeling like there’s no way that two people who are fundamentally different from one another ethnically, which is out of their control, can come together and learn from one another. It was as if she encouraged segregation between cultures and as if she didn’t want to share her culture with anyone, nor learn about another’s culture. This was very frustrating to me because while I am a white American female, I was born in Europe and grew up there for the first eight years of my life. My mom has taught ESL (English as a Second Language) to people from all over the world for many years, and I myself am now teaching ESL as well. I also volunteer at a non-profit that helps Spanish speakers with a variety of things, where I help with their citizenship classes. I have friends from diverse cultures, and in fact I prefer to surround myself with people who are different from me because I feel that there is so much to learn from them. I definitely have a genuine interest in exposing myself to different cultures and experiencing things as they do the best that I can. So I too was insulted by her for not understanding this genuine interest of mine in wanting to explore her neighborhood and do as the locals do.

Although frustrating, this was interesting perspective to be confronted by, which made me think more about what I was trying to accomplish by surrounding myself or exposing myself to other cultures. Despite her pessimism and unwillingness to accept me into her neighborhood, I’m still all about mixing cultures because there is truly so much learn.

Musings from a recent New York Times Style Magazine

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Perusing through The New York Times Style Magazine is always treat for someone like me who loves all things related to aesthetics. These are some of the pieces and design ads that I most enjoyed in the September 25, 2016 issue!

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Marianna Kennedy

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Gan Rugs – design from Spain

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Cabins in the Woods

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Artists in Postwar France

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Bover lights from Barcelona

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Ikea Forever

 

EXPO Chicago

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Last weekend I went to The International Exposition of Contemporary & Modern Art at Navy Pier in Chicago and saw an absolutely overwhelming amount of art. There were over 100 galleries represented from around the world, as well as some special exhibitions. What was probably the coolest thing for me, was seeing Pearl Lam Galleries, as I have a friend from graduate school who works at their Shanghai location. I didn’t know the gallery was going to be there, much less that the woman I spoke to actually knew my friend! So, of course, we took a selfie together and sent it to her. Another cool finding was to see some works by Maria Tomasula represented by one of the galleries there, who teaches Art at Notre Dame and who I’ve worked with at the Notre Dame Center for Arts and Culture on an oral history of her life and work.

These are some of the artists represented at the EXPO that I was most taken by.

Paolo Ventura

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Paul StrandWall Street  

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Andrew Moore – Cuba series

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Francesco Pergolesi

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Robert and Shana Parkeharrison

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Ysabel Lemay

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Robert Greene

Yayoi Kusama

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Sally Mann

Anthony CaroArena Pieces 

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Andrew Millner 

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Herman de Vries

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Boomon Naksan

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Elizabeth Patterson

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Hendrik Kerstens

Rene Romero Schuler

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Michael Eastman – Fidel’s Last Stairway

Liliana Wilson – Chilean artist based in Austin, TX

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I was recently introduced to this artist by my boss, who is an expert and possibly the most prolific collector of Latino art in the U.S. The artist’s name is Liliana Wilson, and originally from Chile, she now lives and works in Austin, Texas. I think her depiction of women and children is so sweet, and I’m already dreaming of decorating my future kids’ bedrooms with some of her works, especially these:

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(If I have two girls…)

I highly recommend checking out her website and shop. Her pieces are very affordable! Having seen a couple of her paintings in person, I can tell you that they look even better than the pictures – the colors are vibrant and the faces appear even sweeter and more delicate.

Latino artists in the Midwest

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Recently, for my job at the Notre Dame Center for Arts and Culture, I’ve been conducting interviews with Latino/a artists along with Art Historian Amelia Malagamba in an effort to compile oral histories and trace Latino art in the Midwest. Not only are their families’ migration stories very interesting, as well as what inspires them artistically, they produce beautiful work that I think is worth looking at. Here are just a few examples:

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Ramiro Rodriguez – Elementos de Chavon

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Ramiro RodriguezGreat Blue

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Maria TomasulaHeritor 

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Maria TomasulaVirgin of Guadalupe 

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Maclovio CantĂş IVMarcos

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Maclovio CantĂş IV

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Ricco DiamanteWinter Solstice 

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Ricco DiamanteAtargatis

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Salvador MoyaAlien Status

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Salvador MoyaFeeding Hearts

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Elena Zarandona

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Elena Zarandona 

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Federico Rodriguez

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Federico Rodriguez

An interior-lover’s dream – Frelinghuysen Morris House & Studio

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I just went to the Frelinghuysen Morris House & Studio in Lenox, MA and, as I’m someone who loves anything to do with interior spaces and art, it was simply a dream. The house is situated on a big wooded lot and it’s a ten-minute walk through a little forest from the parking lot to get to the house. A fairly nondescript building from the outside (as is typical of that modern international style), it is boxy, white, and has old metal frame windows. George Morris and Suzy Frelinghuysen, the couple that built the house and studio, were both abstract artists inspired by Braque, Leger, Gris, and Picasso. The house is full of their own works, along with works by artists they looked up to.

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The entrance to the house includes a beautiful small circular staircase with an abstract black metal railing. On the curved wall behind the staircase is an abstract fresco painted by George Morris in vibrant colors. The dining room, off to the left of the entrance, was designed by Suzy Frelinghuysen and it is rather dark. There are only two small light sources, the idea being to use candles and the fireplace for light. On the way to the living, which is to the right of the entrance, is a little bar with very cool shelving along the curved wall for the liquor bottles. The living room has a leather-tiled floor, a spacious 12-foot ceiling, zebra print sofas, two frescos by Morris on the main wall, one on each side of the fireplace, and an abstract stone carving above the fireplace, also designed by Morris. Upstairs are three bedrooms and a small gallery space displaying works of art. The narrow hallway is also lined with abstract works of art. I can’t forget to mention Morris’s studio, which is a large space at the end of the hallway with lots of light. Now a gallery space that only displays works of art, it was once Morris’s studio where he, and probably his wife Suzy, spent a considerable amount of time working on their art.

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Because the couple was very affluent and of a certain social class, descendants of our nation’s founding fathers, they didn’t have to worry about holding traditional jobs and were able to focus their lives on painting and introducing modern art to the United States in the 1940s and 50s.

The house is a spectacular example of modern architecture and design and it was simply a feast for my eyes. Every turn and every room contain surprising and interesting details to gawk at. Unfortunately, photography is not allowed in the house, but you can see a nice gallery of the interior on the house & studio’s website. It’s definitely worth the visit if you ever find yourself in western Massachusetts!

Yale Art Gallery

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On my most recent trip out east, I went to the Yale Art Gallery in New Haven, CT and it was such a nice surprise. Museums affiliated with colleges and universities are usually on the smaller side, but the Yale Art Gallery is impressive not only in size, but certainly also in the scope of its collection. The museum addition by Louis Khan is very nice, especially juxtaposed next to his design of the Yale Center for British Art (also a nice building and extensive collection). Here are just a few of my favorites from the collection!

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Sylvia Plimack Mangold, Valence with Grey Cloud

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Jacques Villon, Color Perspective (Horizontal) 

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Ando Hiroshige, Kanazawa in Moonlight (Buyo Kanazawa Hassho Yakei)

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Odilon Redon, Nasturtiums