gooollysandra

Thoughts on thoughts and images of beautiful things

Theory vs. Emotion in Film

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When we say we like a movie, what are we really saying? Sure we can appreciate and admire  films for their form or content and we can like them for the ideas they convey or for their beautiful cinematography, but what is it that leads us to say we like a certain film? It’s the feeling they evoke in us. There are film theorists who will go great lengths to describe what signs are present in films that cause us to like them, or the ways in which certain films connote or denote things that make them ‘good’ films. But I don’t think that all that theorizing gets to the heart of what makes us like films. I think the power of film really lies in how they make us feel, rather than certain qualities that might be inherent in the film. How often do we like films solely because of their form or content and cast aside the emotions they evoke in us? Perhaps there are truly genuine film connoisseurs who can look at a film only for the ways in which it excels in terms of its medium (and I’m sure there are), but I find it virtually impossible to separate my emotions from my appreciation for a film while I am watching it. If this makes me an average film spectator, then so be it. I would rather remain an emotional film spectator than take the emotion out of the film-vieweing experience and look at films purely from an intellectual standpoint.

What does it mean to really love someone?

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What does it mean to really love someone? This is not an easy topic to talk about, and it is harder still to define exactly what love means. Having just finished a class on precisely this topic, I am left unsatisfied with the conclusion, or lack thereof, at which we arrived. Though various scholars have tried to shed some light on love, it still does not seem like we are able to have a firm, concrete grasp on the concept of love. However, it is worth trying to spell out some of what has been theorized about the topic.

In Plato’s dialogue, the Phaedrus, we get a picture of love as madness that takes hold of us and is beyond our reason. In the Symposium, we get a picture of love in which we love the forms, or the highest ideal of reality, but we must love another person in order to do so; that is, we have to love another person in order to reach the level of recognizing the forms and of being able to love the forms. In Diotima’s famous speech on love there is an ascent of love that we are to attempt to follow, beginning with appreciating the beauty of one body, then moving up to the beauty of bodes in general, then the beauty of the soul, then the beauty of customs, laws, and activities of society, then the beauty of particular types of knowledge, and finally beauty itself, which we can appreciate, or attain, once we have mastered an appreciation for the previous kinds of beauty.

Hegel believes in an optimistic, ideal kind of love in which two people become one and love together, not separately. Two people become one entity and whatever one person does for the other, that person is doing for oneself, and whatever one does for oneself, one is doing for the other. Achieving this kind of completely unified relationship is not easy though. The two people have to overcome shame of their most inward selves; that is, selfish preoccupations that one might have, the banality of everyday life that one endures, one’s potential ineptness, etc. One needs to be willing to share all of these fundamental qualities that make up who one is in order to approach the relationship with one’s whole being. These include qualities that one might not want to share, and would not otherwise share with someone whom one is not trying to form a complete, unified relationship with. While Hegel does not say this explicitly, one would have to assume that maintaining this kind of unified relationship is a constant struggle between the two people involved, and is not a state that simply exists once it is achieved. It seems as though the two people have to continually work to maintain the unity.

Roland Barthes gives us yet a different concept of love in A Lover’s Discourse, which brings to light the asymmetrical dynamic in a loving relationship in which there is no equal sense of commitment, investment, or love between two people. It seems as though there is always a power dynamic in relationships where there is one person who is more committed, invested or in love than the other, and this dynamic can shift back and forth between the two people throughout the relationship. It seems that it is very hard, if possible at all, to achieve an equal playing field, as it were, where both people are equally committed, invested, and in love. Barthes would probably consider hoping for this kind of equality in love a fantasy. In this kind of model, we are more concerned with the love we are giving than the love we are receiving, and it is more ego-centered than say, Hegel’s model.

In thinking about which of these models of love I identify with the most, I think I find Barthes account most accurate, in my experience at least. Hegel’s model is the most ideal of course, but it is hard to say if that model is truly achievable. In looking at certain relationships from an outside perspective, I think it is easy to say, “That couple has a completely unified relationship.” But without being inside their heads or hearts and knowing exactly how they feel, we cannot know if that is really the kind of love that they share. On the other hand, perhaps some people are in unified relationships like the one Hegel describes, and to that I say, “Kudos to them.” It is truly an achievement. Furthermore, perhaps there are some of us who have been in a unified relationship but did not recognized it when we were.

All this is to say that love is a very complicated notion that is so very difficult to grapple with, which makes loving relationships the challenge that they are. If they are not a challenge, then the people involved are missing the point.

Because Valentine’s Day…

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Because it’s Valentine’s Day and because I love this video, cheers to the day of love.

The Junkyard

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These are some pictures I took at a junkyard for a photography class and developed in a dark room. Sometimes trash can be beautiful.

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Sky Full of Stars

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This unique, low-key video of Coldplay’s new song, “Sky Full of Stars”, reminds me why I love the band so. The song is quite catchy and I like the way the video incorporates regular people following the band along the streets. Their cheer adds to encompassing feeling evoked by the song, and naturally, Chris Martin and his band members play off of their reactions. There is also the allusion to Mary Poppins and Dick Van Dyke‘s musical routine with a similar drum setup with a twist.

Machines

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Do you ever think to yourself – I wish I knew how my computer worked? It might sound like a silly question, but truly most of us have no idea how our computers actually work, and yet we use them everyday with incredible ease. What happens when we hit the command key? How does hitting that key correspond with some little chip in the computer’s innards to make something happen on the screen? It’s an incredible thing when you think about it, and we take it for granted.

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This question popped into my head last night as I finally got to see The Imitation Game (which is an excellent movie, by the way), and it occurred to me that not only do we not understand how our own computers work, but we don’t really know how many machines work. Surely, mechanics, engineers, and mathematicians understand how machines work since they are the ones inventing them, but the average person really has no idea and simply reaps the benefits of these machines. I’m thinking of machines such as cars, medical equipment like an MRI machine, machines in factories, etc. What marvelous inventions they are that can do work beyond the comprehension of most people. The device created by Alan Turing in The Imitation Game was the birth of computers, and not only was the film extremely well-done, it evokes themes that are really important such as technological advances, the treatment of homosexuals, and the common social handicaps inherent in geniuses.

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You and Me

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I heard this song during the Parenthood series finale the other night and I just thought it was a lovely song. It was played during an emotional scene while the family was having their pictures taken at Sarah’s wedding, which was a nice overview of all the characters and their relationships with one another during the final episode. Of course, emotions always play in role in how we perceive something, so I really enjoyed this song as it was played during this scene. Also, this is a beautiful video.

Berkshire seasons

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The Berkshires take on different auras throughout the seasons. Autumn is arguably the most spectacular season and people travel to Berkshires just to see the fall foliage, but all of the seasons are endearing in their own way. These are pictures of the four seasons in all their glory.

Autumn

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Winter

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Spring

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Summer

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Babies

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What is our fascination with babies? I have to admit, I myself sometimes indulge in that fascination, but why? What is it about babies that drives people mad with admiration and joy? I don’t particularly have any desire to have children, but I still get giddy when I see a really cute child, but I don’t know why since I don’t want one myself. Or when we’re holding a baby, which I was doing recently, and we stare at him or her in anxious anticipation of eliciting a reaction – a smile, a laugh, or any kind of sign of interaction with us. We also admire whatever adorably cute outfit they have on and praise the parents for dressing them so well. Although there are people who claim to truly hate babies, I think to a certain extent, we are naturally drawn to babies and are fascinated by them because we can’t quite understand them. We recognize that we were all babies at one time, but we can’t remember that time in our lives and what it was like to be a baby, so the peculiarity about what babies can see or understand or what they make of us intrigues us.

Magic

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Because film creates magic…

I’m sorry for the poor image quality. I definitely encourage you watch the real thing…the final scene of Amelie (or even better, watch the whole thing!)